{"id":2250,"date":"2018-12-19T00:00:00","date_gmt":"2018-12-19T00:00:00","guid":{"rendered":"https:\/\/cms.smooth.com.au\/uncategorised\/2018-sydney-theatre-awards-nominations-announced\/"},"modified":"2018-12-19T00:00:00","modified_gmt":"2018-12-19T00:00:00","slug":"2018-sydney-theatre-awards-nominations-announced","status":"publish","type":"post","link":"https:\/\/cms.smooth.com.au\/stage\/2018-sydney-theatre-awards-nominations-announced\/","title":{"rendered":"2018 Sydney Theatre Awards Nominations Announced"},"content":{"rendered":"<p>Nominations were announced today for the Sydney Theatre Awards for 2018, which will be presented at a gala ceremony on Monday 21 January 2019 at 6pm at the York Theatre, Seymour Centre.&nbsp;<\/p>\n<p>The Sydney Theatre Awards are presented annually by a group of leading theatre critics to celebrate the strength, quality and diversity of theatre in Sydney.&nbsp;<\/p>\n<p>Nominations in the 33 categories were spread across 49 productions which played on Sydney stages during 2018.&nbsp;<\/p>\n<p>Leading the list with 11 nominations is<em> The Harp in the South<\/em>: Part One and Part Two, produced by the Sydney Theatre Company.&nbsp;<\/p>\n<p>Following close behind are:&nbsp;<br><br \/>\n\t<em>Cry-Baby<\/em> &#8211; 9 nominations<br><br \/>\n\t<em>The Resistible Rise of Arturo Ui<\/em> &#8211; 9 nominations&nbsp;<br><br \/>\n\t<em>In the Heights<\/em>&#8211; 8 nominations<br><br \/>\n\t<em>The Flick<\/em>&#8211; 7 nominations&nbsp;<\/p>\n<p>The 2019 judging panel consists of leading film critics from a variety of publications.&nbsp;<\/p>\n<p>Panelists include Elissa Blake (Audrey Journal), Deborah Jones (The Australian), Jo Litson (Limelight), JJoyce Morgan (The Sydney Morning Herald), Ben Neutze (Time Out), Diana Simmonds (Stagenoise), and more.&nbsp;&nbsp;<\/p>\n<p>Ben Neutze said, \u201cIt\u2019s always a huge privilege to witness the work of our city&#8217;s talented, devoted and often criminally underappreciated theatre makers.\u201d&nbsp;<\/p>\n<blockquote><p>\u201cThis has been an outstanding year in a number of ways, particularly with new plays at mainstage companies. We\u2019ve seen outstanding productions that grapple with Australia&#8217;s position in the world, take outsider perspectives on our society, and dig into our history to imagine a way forward.&#8221;&nbsp;<\/p>\n<\/blockquote>\n<p>The full list of nominees for the 2018 Sydney Theatre Awards is as follows:&nbsp;<\/p>\n<p><strong>BEST MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tBlackie Blackie Brown (Sydney Theatre Company)<\/p>\n<p>The Harp in the South (Sydney Theatre Company)<\/p>\n<p>The Resistible Rise of Arturo Ui (Sydney Theatre Company)<\/p>\n<p>Saint Joan (Sydney Theatre Company)&nbsp;<\/p>\n<p><strong>BEST INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tThe Flick (Outhouse Theatre Company in association with Seymour Centre)<\/p>\n<p>Metamorphoses (Apocalypse Theatre Company in association with Red Line Productions)<\/p>\n<p>Stupid Fucking Bird (New Theatre)<\/p>\n<p>There Will Be a Climax (Red Line Productions in partnership with NIDA)&nbsp;<\/p>\n<p><strong>BEST DIRECTION OF A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tLeticia C\u00e1ceres (random)<\/p>\n<p>Imara Savage (Saint Joan)<\/p>\n<p>Kip Williams (The Resistible Rise of Arturo Ui)<\/p>\n<p>Kip Williams (The Harp in the South)&nbsp;<\/p>\n<p><strong>BEST DIRECTION OF AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tCraig Baldwin (The Flick)<\/p>\n<p>Alexander Berlage (There Will Be a Climax)<\/p>\n<p>Dino Dimitriadis (Metamorphoses)<\/p>\n<p>Warwick Doddrell (Stupid Fucking Bird)&nbsp;<\/p>\n<p><strong>BEST FEMALE ACTOR IN A LEADING ROLE IN A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tClaire Lovering (The Feather in the Web)<\/p>\n<p>Zahra Newman (random)<\/p>\n<p>Sarah Snook (Saint Joan)<\/p>\n<p>Megan Wilding (Blackie Blackie Brown)&nbsp;<\/p>\n<p><strong>BEST MALE ACTOR IN A LEADING ROLE IN A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tJimi Bani (My Name is Jimi)<\/p>\n<p>Jack Finsterer (The Harp in the South)<\/p>\n<p>Yalin Ozucelik (The Norman Conquests)<\/p>\n<p>Hugo Weaving (The Resistible Rise of Arturo Ui)&nbsp;<\/p>\n<p><strong>BEST FEMALE ACTOR IN A LEADING ROLE IN AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tGabrielle Scawthorn (Ironbound)<\/p>\n<p>Ella Scott-Lynch (King of Pigs)<\/p>\n<p>Nikki Shiels (They Divided the Sky)<\/p>\n<p>Bishanyia Vincent (Nell Gwynn)&nbsp;<\/p>\n<p><strong>BEST MALE ACTOR IN A LEADING ROLE IN AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tJustin Amankwah (The Flick)<\/p>\n<p>Mansoor Noor (Stupid Fucking Bird)<\/p>\n<p>Jeremy Waters (The Flick)<\/p>\n<p>Elijah Williams (The Rolling Stone)&nbsp;<\/p>\n<p><strong>BEST FEMALE ACTOR IN A SUPPORTING ROLE IN A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tKate Box (Top Girls)<\/p>\n<p>Julie Forsyth (Accidental Death of an Anarchist)<\/p>\n<p>Michelle Lim Davidson (The Feather in the Web)<\/p>\n<p>Contessa Treffone (The Harp in the South)&nbsp;<\/p>\n<p><strong>BEST MALE ACTOR IN A SUPPORTING ROLE IN A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tMitchell Butel (The Resistible Rise of Arturo Ui)<\/p>\n<p>Ash Flanders (Blackie Blackie Brown)<\/p>\n<p>Colin Moody (The Resistible Rise of Arturo Ui)<\/p>\n<p>Guy Simon (The Harp in the South)&nbsp;<\/p>\n<p><strong>BEST FEMALE ACTOR IN A SUPPORTING ROLE IN AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tMorgan Maguire (Home Invasion)<\/p>\n<p>Wendy Mocke (Moby Dick)<\/p>\n<p>Annie Stafford (Stupid Fucking Bird)<\/p>\n<p>Kaitlyn Thor (Stupid Fucking Bird)&nbsp;<\/p>\n<p><strong>BEST MALE ACTOR IN A SUPPORTING ROLE IN AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tSimon Burke (Strangers in Between)<\/p>\n<p>Damon Manns (The Rolling Stone)<\/p>\n<p>Mandela Mathia (The Rolling Stone)<\/p>\n<p>Christopher Stollery (Ear to the Edge of Time)&nbsp;<\/p>\n<p><strong>BEST STAGE DESIGN OF A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tRobert Cousins (The Resistible Rise of Arturo Ui)<\/p>\n<p>David Fleischer (The Harp in the South)<\/p>\n<p>Elizabeth Gadsby (Oh Yeah Wow)<\/p>\n<p>Verity Hampson (Blackie Blackie Brown)<\/p>\n<p>Jonathon Oxlade (Accidental Death of an Anarchist)&nbsp;<\/p>\n<p><strong>BEST STAGE DESIGN OF AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tJonathan Hindmarsh (Metamorphoses)<\/p>\n<p>Isabel Hudson (Cry-Baby)<\/p>\n<p>Isabel Hudson (The View UpStairs)<\/p>\n<p>Maya Keys (The Wolves)&nbsp;<\/p>\n<p><strong>BEST COSTUME DESIGN OF A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tAlice Babidge (A Cheery Soul)<\/p>\n<p>James Browne (Josephine Wants to Dance)<\/p>\n<p>Ren\u00e9e Mulder (The Harp in the South)<\/p>\n<p>Ren\u00e9e Mulder (Top Girls)&nbsp;<\/p>\n<p><strong>BEST COSTUME DESIGN OF AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tMason Browne (Cry-Baby)<\/p>\n<p>Elizabeth Franklin (In the Heights)<\/p>\n<p>Nicholas Fry (There Will Be a Climax)<\/p>\n<p>Jonathan Hindmarsh (Metamorphoses)&nbsp;<\/p>\n<p><strong>BEST LIGHTING DESIGN OF A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tDamien Cooper (Top Girls)&nbsp;<br><br \/>\n\tVerity Hampson (Blackie Blackie Brown)<\/p>\n<p>Nick Schlieper (The Resistible Rise of Arturo Ui)<\/p>\n<p>Nick Schlieper (The Harp in the South)&nbsp;<\/p>\n<p><strong>BEST LIGHTING DESIGN OF AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tBenjamin Brockman (Metamorphoses)<\/p>\n<p>Martin Kinnane (The Flick)<\/p>\n<p>Trent Suidgeest (Darlinghurst Nights)<\/p>\n<p>Trent Suidgeest (The View UpStairs)&nbsp;<\/p>\n<p><strong>BEST SOUND DESIGN OF A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tNate Edmondson (The Harp in the South)<\/p>\n<p>Stefan Gregory (The Resistible Rise of Arturo Ui)<\/p>\n<p>Max Lyandvert (Saint Joan)<\/p>\n<p>Jethro Woodward (Sami in Paradise)&nbsp;<\/p>\n<p><strong>BEST ORIGINAL SCORE OF A MAINSTAGE PRODUCTION&nbsp;<\/strong><br><br \/>\n\tWilliam Barton (The Long Forgotten Dream)<\/p>\n<p>Stefan Gregory (The Resistible Rise of Arturo Ui)<\/p>\n<p>The Sweats (The Harp in the South) Clemence Williams (A Cheery Soul)&nbsp;<\/p>\n<p><strong>BEST SOUND DESIGN OF AN INDEPENDENT PRODUCTION&nbsp;<\/strong><br><br \/>\n\tNate Edmondson (The Flick) Ben Pierpoint (Metamorphoses)<\/p>\n<p>Ben Pierpont<\/p>\n<p>Mary Rapp (Stupid Fucking Bird) Clemence Williams (The Wolves)&nbsp;<\/p>\n<p><strong>BEST NEW AUSTRALIAN WORK&nbsp;<\/strong><br><br \/>\n\tThe Almighty Sometimes (Kendall Feaver)<\/p>\n<p>Blackie Blackie Brown (Nakkiah Lui)<\/p>\n<p>The Feather in the Web (Nick Coyle)<\/p>\n<p>The Harp in the South (Kate Mulvany)&nbsp;<\/p>\n<p>Kill Climate Deniers (David Finnigan)<\/p>\n<p>The Sugar House (Alana Valentine)&nbsp;<\/p>\n<p><strong>BEST NEWCOMER&nbsp;<\/strong><br><br \/>\n\tMarty Alix (In the Heights)<\/p>\n<p>Justin Amankwah (The Flick)<\/p>\n<p>Damon Manns (The Rolling Stone)<\/p>\n<p>Grace Truman (Jesus Wants Me for a Sunbeam)<\/p>\n<p>Nadia Zwecker (The Wolves)&nbsp;<\/p>\n<p><strong>BEST PRODUCTION OF A MUSICAL&nbsp;<\/strong><br><br \/>\n\tThe Book of Mormon (Anne Garefino, Scott Rudin, Important Musicals and John Frost)<\/p>\n<p>Cry-Baby (LPD in association with Hayes Theatre Co)<\/p>\n<p>In the Heights (Blue Saint Productions in association with Hayes Theatre Co)<\/p>\n<p>The View UpStairs (Invisible Wall Productions and Sugary Rum productions in association with Hayes Theatre Co)&nbsp;<\/p>\n<p><strong>BEST DIRECTION OF A MUSICAL&nbsp;<\/strong><br><br \/>\n\tAlexander Berlage (Cry-Baby)<\/p>\n<p>Luke Joslin (In the Heights)<\/p>\n<p>Lee Lewis (Darlinghurst Nights)<\/p>\n<p>Shaun Rennie (The View UpStairs)&nbsp;<\/p>\n<p><strong>JUDITH JOHNSON AWARD FOR BEST PERFORMANCE BY A FEMALE ACTOR IN A MUSICAL&nbsp;<\/strong><br><br \/>\n\tTina Arena (Evita)<\/p>\n<p>Caitlin Berry (She Loves Me)<\/p>\n<p>Loren Hunter (Evie May)<\/p>\n<p>Ashleigh Rubenach (Cry-Baby)&nbsp;<\/p>\n<p><strong>JUDITH JOHNSON AWARD FOR BEST PERFORMANCE BY A MALE ACTOR IN A MUSICAL&nbsp;<\/strong><br><br \/>\n\tRyan Gonzalez (In the Heights)<\/p>\n<p>Ryan Gonzalez (Jersey Boys)<\/p>\n<p>Justin Smith (Darlinghurst Nights)<\/p>\n<p>Rowan Witt (She Loves Me)&nbsp;<\/p>\n<p><strong>BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN A MUSICAL&nbsp;<\/strong><br><br \/>\n\tBeth Daly (Cry-Baby)<\/p>\n<p>Laura Murphy (Cry-Baby)<\/p>\n<p>Zahra Newman (The Book of Mormon)<\/p>\n<p>Bishanyia Vincent (Evie May)&nbsp;<\/p>\n<p><strong>BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN A MUSICAL&nbsp;<\/strong><br><br \/>\n\tMarty Alix (In the Heights)<\/p>\n<p>Joel Granger (She Loves Me)<\/p>\n<p>Jay James-Moody (She Loves Me)<\/p>\n<p>Rowan Witt (The Book of Mormon)&nbsp;<\/p>\n<p><strong>BEST MUSICAL DIRECTION OF A MUSICAL&nbsp;<\/strong><br><br \/>\n\tLucy Bermingham (In the Heights)<\/p>\n<p>Geoffrey Castles (Aspects of Love)<\/p>\n<p>Nicholas Griffin (Cry-Baby)<\/p>\n<p>Max Lambert (Darlinghurst Nights)&nbsp;<\/p>\n<p><strong>BEST CHOREOGRAPHY IN A MUSICAL&nbsp;<\/strong><br><br \/>\n\tLeslie Bell (She Loves Me)<\/p>\n<p>Amy Campbell (In the Heights)<\/p>\n<p>Madison Lee (The Wild Party)<\/p>\n<p>Cameron Mitchell (Cry-Baby)&nbsp;<\/p>\n<p><strong>BEST CABARET PRODUCTION&nbsp;<\/strong><br><br \/>\n\tBosom Buddies (Nancye Hayes and Todd McKenney)<\/p>\n<p>Meow Meow\u2019s Pandemonium Since Ali Died (Omar Musa)&nbsp;<\/p>\n<p><strong>BEST PRODUCTION FOR CHILDREN OR YOUNG PEOPLE&nbsp;<\/strong><br><br \/>\n\tAlice in Wonderland (Sydney Festival)<\/p>\n<p>Charlie Pilgrim (atyp)<\/p>\n<p>Josephine Wants to Dance (Monkey Baa)<\/p>\n<p>The Wider Earth (Queensland Theatre and Dead Puppet Society)&nbsp;<\/p>\n<p><strong>LIFETIME ACHIEVEMENT AWARD&nbsp;<\/strong><br><br \/>\n\tTo be announced at the Awards ceremony<\/p>\n<p><em>Images: The Harp in the South \/ Sydney Theatre Company.<\/em><\/p>\r\n\r\n","protected":false},"excerpt":{"rendered":"<p>The official ceremony will take place on Monday 21 January 2019<\/p>\n","protected":false},"author":9,"featured_media":2251,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[214],"tags":[],"geo_market":[],"class_list":["post-2250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stage"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>2018 Sydney Theatre Awards Nominations Announced - Smooth<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cms.smooth.com.au\/stage\/2018-sydney-theatre-awards-nominations-announced\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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